We are honored they even know we exist. Thanks, as always, to Dan and Tom at Nintendo!

Trailer #2 - vimeo
Trailer #2 - hi-res xvid
Trailer #2 - hi-res divx

Trailer #1 - hi-res quicktime
Trialer #1 - dailymotion

Kyle Gray flips out in Florida!

Anyway, I can’t tell you how giddy we are that we actually have a shot to get indie games out there in a sexy and fashionable way. If you are a developer and want to design a shirt for the next batch (you have to have a game you are willing to ship on the shirt’s CD too) let me know.

• Forum mods have just started a level design competition. There seems to be a sub-competition emerging to see who can come up with the most sadistic way to kill the poor little goos
• J. Hulgan listened to the game’s main theme from the trailer, sampled it, got together some more instruments (like a theremin!) and made a completely re-imagined deliciously evil mix
• I met one of the totally sweet bloddy class UK PC Gamer gents at GDC. And by “met” I mean, “he poured beer a pint on places that weren’t his mouth” which made me like him even more. Then it turns out his other PC Gamer mate Tom Francis had just written an ace preview of World of Goo. “World of Goo … is the game of Schindler’s List” which is possibly a clever and hilarious response to the rising “games don’t have enough meaning” wave.
• Gooman set up a fan site, how cool, thanks Jochen! goo-corporation.com

Ivy Towers

Ode to the Bridge Builder

Scientific Research Chain:
http://blogs.sun.com/rama/entry/world_of_goo
http://thinkorthwim.com/2007/05/28/ants-using-themselves-as-living-bridges/
http://news.bbc.co.uk/2/hi/science/nature/6692853.stm
http://www.flickr.com/photos/seethis/453390616/sizes/l/
http://undergrowth.org/ant_bridge

[Update: We have restored our dignity with our hosting provider and everyone who pre-ordered should have gotten a confirmation email from us. If you pre-ordered and haven’t, let me know. If you paid with an e-check it takes a few days to clear, which means the confirmation will be delayed. - Ron]

IGF 2008, Year of the Monocle. Edmund McMillen’s unmistakable silhouette looks on.

Cactus just made 4 games in the time it took to take this picture. Joakim Sandberg, retro hero on the right, Kyle Gabler surrounded by Sweden.

(more…)

The biggest surprise was the amount of encouragement and support that you guys sent our way. Thank you! How unexpectedly wonderful! It filled me with gratitude and joy. A bunch of people also started helping out with testing, sending in bug reports and suggestions… some really good ones, too. It’s been so helpful that we opened up the beta email list so that anyone can post to it and allowed everyone to subscribe (more info here).

Hope to see some of you at GDC next week… can’t wait!!!

ps. Also, audisurf is released for real, not just a valentine’s preview - go ride daft punk!

Just recently we started feeling like we’ve gained a little knowledge that could help other developers as I’m sure other developers have knowledge that could help us. There is no reason every indie developer should have to learn only from their own experience.

Kyle and I want to pool the collective indie wisdom into a resource that we could all tap and help each other become more successful as businesses.

To start out, we’re creating a mailing list for active indie game studios to discuss indie business. Anything from publishing contracts to requests for introductions to hiring leads to legal advice to whatever. This list is intended for indie developers who either have a game in development and/or already have a game out there. If you’d like to join, send us an email and briefly tell us who you are.

We’re also organizing a get-together to discuss business aspects of indie game development. This will happen during GDC, but not as part of GDC (we want to restrict this to indie devs only). The idea is to have each participant give a very informal five minute brain dump on their experience in the indie business, or to share some nugget/insight/anecdote/disaster they think could be useful, or serve as a warning, to others. Each talk will be followed by a bit of Q&A and discussion. If you want to come, send us an email and mention who you are and what you might like to talk about. We’ll figure out the date, time, food, and venue based on responses. See you there!

Pre-orders will still get the game a week or so early and get the first chapter of the game on February 14 as an extra token of Valentine’s love.

1. World of Goo will be going into beta in about a week. Huge thanks to everyone who pre-ordered the game and volunteered to help beta test it!

2. There’s a preview of World of Goo written by Kieron Gillen on eurogamer.net

3. There’s a 2D Boy interview up on gamasutra.com

This is a 7-day-prototype I made a while ago (my first using AS3). I didn’t have time to finish it, but thought I’d post it anyway so it doesn’t rot to death in a pile of old hard drives. There are only 2 robots, so don’t play forever looking for the last 4!

Game Design: I think this is the only game ever created while listening to Bette Midler’s version of “From a Distance” on loop for a week. It’s also one of my only games involving genocide. What is man? What is machine? What does it mean to be human? Perhaps from a distance we’re not so different from giant kill bots? Can a computer make you cry? Yes, if it has lasers.

To play: Use the mouse. Blast stuff with lasers, collect hearts, buy more stuff for better blastage. But watch out! Humans blast back after a while. click to play

Valentine’s Day ‘08. We (all two of us) are working our little hearts out to finish the PC version by Feb 14 so you can give the gift of Goo!

Mac / Linux should follow shortly.

And the version for Wii slightly after that, with help from our buddy and genius Allan Blomquist.

Pre-Ordering for PC versions is available! Do indie games ever do the pre-order thing? Anyway, we are! Pre-orderers get extra stuff too - like option to do some beta testing if you want, (beta testers get their name in the credits), and a complimentary revolutionary Profanity Pack TM for replacing voices in the game with naughty words. More info here.

In other news, we did an interview at TigerSauce. Thanks, Steve!

Just sitting quietly and watching people play the game was invaluable. People tell you more with body language than they ever would with words. I saw how people’s intuition around the game mechanic worked and adjusted the game to be more in line with what I saw people trying to do. As an engineer (and I know i’m not alone in this) I’m used to solving problems more by reasoning and my own intuition than by observation, so this was a new experience for me.

I tried to distill my approach down to a few guidelines that might help other developers improve their games:

1. Use only virgins - Two playtesting sessions with two different people (one session each) will give you a lot more information than two playtesting sessions with the same person.

2. Do it in person - The vast majority of useful stuff came by observing the players. Hardly anything came out of direct verbal feedback, so if you’re not there in person, the playtest is basically worthless. Sit where you can see the player, their hands, and the screen and just watch. There’s a lot to see.

3. Shut the hell up - I start a playtest session by saying “OK, this is the game. Play for as long or as little as you want. I’m not here.” Let’s be honest, you’re not going to be there when people play your game for the first time, so back off. Not saying anything is harder than it sounds. As the developer, you want people to enjoy the game, you want them to get it, you might feel frustrated when they don’t. You might feel the urge to say “no, just do this” or “try that” or “ignore this part”, but by suffering through these urges you get to see which obstacles are good challenges and which are products of bad design (you also reach a higher level of enlightenment, but that’s another subject entirely). The point is that you, the play tester, are a scientist and if you’re interacting with the player you risk contaminating your data.

4. Ask questions - The only time I regularly break rule #3 is when I see a player trying to do something I don’t understand. Without guiding them, find out what they’re trying to do, because at that moment they are following their intuition and an understanding of intuition is the game design gold you mine out of playtesting.

5. Take notes - What you don’t write down, you’ll forget. This should be a list of one liners. When you see something ugly in the game and think to yourself “Ick, I hope they didn’t notice that”, write it down. When the player seems confused, write it down (what might they be confused about?). If they’re trying to do something you hadn’t thought of, write it down. Any thought you have as you’re observing, write it down, nothing is too trivial, you’ll filter these notes later.

6. Follow through - For a single playtest session (for World of Goo it usually lasts between 30 and 90 minutes) I get up to two pages of notes. After a session kyle and I brainstorm possible changes and additions based on the notes we have. The end result is a todo list which I usually plow through pretty quickly (or at least file in our bug DB so that we don’t lose things).

Lather, rinse, repeat until your game is perfect.

Instruments: I’m looking for any instruments, the weirder the better, so let me know, in particular:

• strings (violin,viola,cell,bass)
• didgeridoo
• accordion
• jaw harp
• glock,marimba,etc
• whistle (the kind with your mouth, I can’t do it!)
• trumpet (actually, any brass, but I have a trumpet solo right now)
• percussion (you can get creative with this..)
• anything else, as long as you can play and record, let’s jam

I already have a guitar guy, the multi-talented Shalin Shodhan, but anything else, I want you.

How it might work: Basically, each of the tracks is “inspired by” music from some part of the world or time period(!), all connected loosely by some of the music stuff in the main theme (which you can hear in the track “World of Goo Corporation Cares About You, Our Valued Customer” used in the trailer.) The tracks I’ve put together so far are made with synth instruments, so the way it will work is I’ll send you the synth demo track, a click track, and sheet music, you see if it inspires you to play along, if it does, record and send back. And we’ll all go back and forth like that.  We can’t pay other than getting you in the credits and free copies of the game and soundtrack, but the game is so totally amazing, you WANT your music in it!

To get on it: Send a note and let me know what you play and where I can hear a sample!

We submitted “Chapter 1: The Goo Filled Hills” of (about) 5 chapters. Each chapter contains 12-15 levels tied together by a sub story arc. Even though it’s just an early demo, I always feel paranoid and self conscious when releasing stuff like this. Because it’s “not done yet”, and “omfg what if they judge it” But whatev, this has all been fun so far, and it forced us to make a bunch of those tiny lingering game decisions that we never would have gotten around to if we didn’t have a deadline. Like “What color is a level title’s font?” became “lively white on black in front of some mysteriously parting bushes”. It’s that last 10%…

It’s nice to be back and making stuff in the indie scene again. And to put a little cherry on top, I totally beat (yeah I said beat) Cave Story and am now working on the Welcome to Hell ending, so watch out Derek Yu! I swear enemies in that game make the same damage sound as the bosses in Zelda: Link’s Awakening for gb… Game’s got a lot of heart.

High Res (requires latest quicktime)

Less High Res (on dailymotion.com)

[Update: Play the original “Tower of Goo” here. Keep in mind, Tower of Goo (and the unlimited version) are just small prototype “toys” that I made in a just a few days as a part of a larger rapid prototyping project, so they can be a little buggy, and not as totally sweet as World of Goo :) - Kyle]

[Update 2: Better contact info for now]

I’m also a sucker for adventure games. I grew up on games like Space Quest and King’s Quest and the LucasArts games. They are totally NOT physics / user generated / procedural / emergent / whatever, in fact, they are all the way on the other side of the spectrum, where game devs actually had to script every single possible interaction. The plus side was that since there was little re-use, nearly every scene and major action could be extraordinary, and the imagery iconic. And somehow (maybe because I was like 9 years old, but still even recently replaying Grim Fandango) I felt, I could go anywhere, lick anything, etc. Clever design and visual cues made me feel totally free in an otherwise entirely scripted and basically linear path. Anyway, that’s probably a whole article on interaction design, but the point is, I wish every game could be as visually iconic, artistically varied, and beautiful.

some levels from World of Goo

So my goal for World of Goo is to (hopefully) combine the best of both, where all gameplay is 100% physically simulated, and where each level is thematically extraordinary, visually iconic, and always (at least mildly) related to a story arc. There is very little asset re-use between levels, which is expensive in the sense that I have to create unique art by hand for every level, but as I’m seeing the game come together, I’m kinda happy how “beautiful” (or at least original) it is becoming. I just hope mom and dad (uh.. Sierra and LucasArts) are proud.

Anyway, I just got a piece of video capture equipment, so I’m gonna try and get some video of World of Goo online hopefully this week. Screenshots up above in the meantime.

Update: Good timing, I just found via gamesetwatch a post on the return of the adventure genre. I still don’t think the new casual versions have the heart the oldskool Sierra and LucasArts games had. Anyway, it reminded me of Johnny Rocketfingers 2 (not a casual game btw) - a dirty step in the right direction.